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Use of Historical Documents in the Classroom

Are YOU Doing All You Can?


Rita Apel

Nevada Middle School

Nevada, Iowa

Summer 2008

 

     


“Are you doing all you can?”

Uncle Sam (?) pointing his finger through stripes of American flag

General Cable Corporation, 1942.

Library of Congress

Prints and Photographs Division

Reproduction number: LC-USZC4-6033

 

During World War I and World War II, it was necessary for the citizens on the home front to conserve resources to support the war effort.  Focusing on World War II, what sacrifices were made in the United States by the civilians?  How did citizens know what they could do to help? Even though the United States is not in a world war at present, there is still a need to conserve our resources.   This activity will allow students to become more aware of conservation and recycling efforts underway in the United States now and what they can do to further those efforts.

 

 

Overview/ Materials/LOC Resources/Standards/ Procedures/Evaluation/Rubric/Handouts/Extension

 

Overview                                                        Back to Navigation Bar

Objectives

Students will:

·        identify the efforts and sacrifices that civilians made on the home front during World War II.

·        investigate possible ways  those needs were communicated to the citizens of the United States

·        identify conservation needs in the present

·        design a communication tool to educate today’s citizens about what they can do to conserve

Recommended time frame

10—12 days

Grade level

8th grade

Curriculum fit

Language arts

Materials

·        • Interview worksheet

·        • Are WE Doing All We Can? worksheet

·        • Overhead transparencies and projector

·        • Examples of WWII posters, magazines, photographs, photographs of artifacts, etc. (Prepare a Power Point presentation or provide URLs for student use)

·        • Materials for projects (poster board, markers, computers, video camera and TV/VCR, costumes)

·        •Rubrics

 

Nevada Schools Learning Standards          Back to Navigation Bar

 

Language Arts:

Standard 1: Uses the writing process to write clearly and concisely

  • Benchmark: Writes in a variety of formats

Standard 2: Uses grammatical and mechanical conventions in written compositions

  • Benchmark: Uses correct capitalization and punctuation

Standard 3: Uses a variety of print and non-print resources to locate and gather information

  • Benchmark: Uses sources appropriate to the task

Standard 5: Demonstrates competence in speaking and listening as tools for learning

  • Benchmark: Organizes ideas for oral presentation

  • Benchmark: Uses verbal and non-verbal skills to communicate

 

Procedures                                                     Back to Navigation Bar

 

Day One:

Students will be given the Interview Worksheet.  Ideally they will interview a grandparent or someone of that age group or older.  It can be a face-to-face interview or phone interview.  If an older adult isn’t available, students could interview a parent.  (Arrangements could also be made to have students interview people in nursing homes or retirement villages.) Allow a few days (3-4) for this to occur since some students may have difficulty making arrangements to complete the interview.  It could be assigned before completing a previous unit.  Plan B: Since it might be difficult to find people to interview, it might be necessary to skip to Day Three and look at the examples located by the teacher or provide URLs for students to explore on their own.  Students could complete the interview worksheet based on that information. The lesson plan will need to be adjusted if this option is used.

Day Two:

Students will compare the results of their interview with another student in the class.  They should take turns sharing and check off matching ideas; in addition, students should add new ideas to their list (things they didn’t discover in their interview).

Students will share their results with the entire class to create a “master list.”  Teacher will record list on an overhead transparency as ideas are generated.  Each student will add to his/her list as ideas are suggested if it isn’t already on their list.

Day Three:

•With the complete list of sacrifices in front of them, students will discuss with a partner how the government let civilians know what they could do to support the war effort. (What types of media would have been most commonly used between 1941 – 1945?)

Discuss possibilities with entire class, again adding to students’ lists while teacher compiles a list on an overhead transparency during class discussion.

•Look at examples (See Library of Congress primary sources link.) of the needs and types of communication from the WWII time period provided in class and compare to both lists.  The examples could be prepared in a PowerPoint presentation, or students could go to provided web sites to search on their own or with a partner. What were the needs?  How were those needs communicated to the public?  Add to the “master list”.

Day Four:  Are WE Doing All We Can?

•In small groups, brainstorm areas where rationing (conservation/recycling) is needed today. Students should make a list of the ideas generated on the worksheet; in large group, the teacher could record ideas on an overhead transparency with students adding to their lists. 

•After that list is compiled, have students suggest what forms of communication could be used to let people know what they could do to help.  Students complete their list as suggestions are made. Of those, which ones could reach the most people?  (It is expected that students will suggest posters, pamphlets, magazine or newspaper articles, poems, TV or radio ads, or speeches.)

•Introduce project.  Students will be asked to choose a topic and develop a communication tool to educate citizens about the need and inform the citizenry how they could assist in the effort.

Day Five – Nine

Allow work time in class to research and complete the project (approximately five days).  It is also expected that students will need to work outside of class to complete project on time.

Day Ten+

Students will present projects to classmates.  Time will vary depending on number of groups.

Evaluation                                                      Back to Navigation Bar

 

Three rubrics have been provided since students have the choice of final product.  One rubric is designed for a writing project (pamphlet, magazine or newspaper article); another is for acting/speaking (TV or radio ad,  speech); and a third is for drawing/designing (poster).

Extension                                                        Back to Navigation Bar

 

This isn’t really an extension activity, but it is expected that the written projects, at least, will be displayed in prominent places around the school and community (public library, local stores).  Consider venues where the acting/speaking projects could also be showcased.

 

The class could also choose an area of concern and actively pursue implementing a change.

 

Either before starting the project or after Day Three, serve one of the sugarless recipes from the Kitchen-Klatter Magazine.  Watch and listen for responses from students to see if substituting corn syrup or honey in the recipe affects the taste.


Primary Resources from the Library of Congress

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Image

Description

Citation

URL

Wartime food demonstration. A new and important home front activity, the wartime food demonstration is rapidly becoming a nation-wide institution. Wives of war workers in Alexandria, Virginia meet weekly to hear about best ways of ration-point spending, food conservation, etc., under the leadership of Ida Lansden, home economist.

“Wartime Food Demonstration.”  Library of Congress, Prints & Photographs Division, FSA-OWI Collection, [Reproduction number: LC-USE6-D-009434].

American Memory

 

http://memory.loc.

gov

/cgi-bin/query/

b?ammem/fsaall:

LC-USE6-D-009434

:collection=fsa

].

Poster encouraging citizen participation in salvage for the war effort, showing seaplanes and a man welding.

“Are You Helping with Salvage?” Library of Congress, Prints & Photographs Division.  By the People, For the People: Posters from the WPA, 1936-1943 collection [Reproduction number: LC-USZC2-1179 DLC].

http://memory.loc.

gov/cgi-bin/query/

r?ammem/wpapos:

@field(NUMBER%

2B@band

(cph%2B3b49079))

Poster asking Americans to conserve meat during the war.

“Americans! Share the meat as a wartime necessity.” Print (poster). U.S. Government Printing Office, 1942. Library of Congress Prints and Photographs Division, Washington, D. C. [Reproduction number: LC-USZC4-4430].

http://memory.loc.gov/cgi-bin/
query/r?pp/ils:@filreq(@field(NUM
BER%2B@band(cph%2B3c21359))%2B@fie
ld(COLLID%2Bcph))

Forty-two keys to victory. They're practically luxury items today, these typewriters which formerly were manufactured at the rate of about 800,000 per year. With typewriter factories now undergoing conversion to war production, there's an urgent need for all privately owned, non-essential typewriters of recent vintage to be turned over to the armed forces.

“Forty-two Keys to Victory.” Library of Congress, Prints & Photographs Division, FSA-OWI Collection, [Reproduction number: LC-USF35-1326]

http://memory.loc.

gov/cgi-bin/

query/r?ammem/

fsaall:@field

(NUMBER%2B@band

(fsa%2B8b02987))

Poster. Do with less--so they'll have enough. Poster released by the Office of War Information to bars and taverns, high schools, hotels, libraries, war plants, post offices.

“Do with Less – So They’ll Have Enough.” Library of Congress Prints & Photographs Division, Farm Security Administration – Office of War Information Photograph Collection. Mar. 1943  [Reproduction number: LC-USE6-D-009233].

http://memory.loc.

gov/cgi-bin/query/

r?ammem/fsaall:

@field(NUMBER+

@band

(fsa+8b06175))

Fuel oil conservation. Here's blackout insulation--a twofold combination to save you money! Use sections of board for the top half of the window and the bottom half. The board for the upper half of the window, which should be weatherproofed board, can be nailed in place on the outside of the window frame and half-drawn shades will conceal this piece from the board for the lower half can be attached at night from the inside. Not only are these practical blackout shields, but you'll save one gallon of oil for each square foot of board used.

“Fuel Oil Conservation.” 

Library of Congress Prints & Photographs Division, Farm Security Administration – Office of War Information Photograph Collection. Sept. 1942 [Reproduction number: LC-USE6-D-006222].

http://memory.loc.

gov/cgi-bin/query/

r?ammem/fsaall:

@field(NUMBER%

2B@band

(fsa%2B8b07448))

Rubber reclamation. Scrap tires mobilized for Victory. Millions of discarded casings cover more than 100 acres at one Midwest recovery plant. Systematic piling and sectional arrangement reduce fire hazard. Special processes will separate metal from the tires and tube bodies. The reclaimed material will be used to manufacture thousands of essential mechanical rubber products. Firestone.

Palmer, Alfred T., photographer.  “Rubber Reclamation.” Library of Congress Prints & Photographs Division, Farm Security Administration – Office of War Information Photograph Collection.

Created/published Dec.1941 or 1942. [Reproduction number: LC-USE6-D-003769].

http://memory.loc.

gov/cgi-bin/query

/r?ammem/fsaall:

@field(NUMBER

%2B@band

(fsa%2B8b02667))

Poster for the Philadelphia Salvage Committee encouraging scrap drives to aid the war effort.

 

 

“Save Scrap for Victory.”  Library of Congress Prints & Photographs Division, Work Projects Administration Poster Collection, Penna [Pennsylvania] Art WPA, between 1941 and 1943. [Reproduction number: LC-USZC2-5676 DLC].

http://memory.loc.

gov/cgi-bin/query/

r?ammem/wpapos:

@field(NUMBER

%2B@band

(cph%2B3f05676))

Woman standing with hoe and basket of vegetables.

War Gardens for Victory—Grow Vitamins at your Kitchen Door.” Library of Congress Prints and Photographs Division.  Copyright by J. H. Burdett, director, National Garden Bureau. Created/published between 1939 and 1945. [Reproduction number: LC-USZC4-4436].

http://memory.loc.

gov/cgi-bin/query/

r?pp/ils:@filreq

(@field(NUMBER+

@band(cph+

3c21355))

+@field(COLLID+

cph))

Sugar rationing. Mrs. Henry Wallace, wife of the Vice President, learns how millions of American householders will register for their sugar rationing cards from May 4th through May 7th. She's getting the information from a teacher and pupil at Western High School, Washington, D.C..

“Sugar Rationing.” Photographed by Albert Freeman, Alfred T. Palmer or George Danor.

Library of Congress Prints & Photographs Division.

Farm Security Administration - Office of War Information Photograph Collection.  1942 or 1943. [Reproduction number: LC-USE6-D-010488 DLC].

http://lcweb2.loc.gov/cgi-bin/query/r?
pp/PPALL:@field(DOCID+@lit(oem
2002008907/PP))

Gasoline rationing poster. Poster distributed to gasoline stations and garages to educate motorists on need for fuel rationing.

“Gasoline Rationing.” Gasoline rationing poster. Bureau of Publications and Graphics. Library of Congress Prints & Photographs Division.

Farm Security Administration - Office of War Information Photograph Collection. Aug. 1942. [Reproduction number: LC-USE6-D-005468 DLC].

http://lcweb2.loc.gov/cgi-bin/query/
i?pp/fsaall:@FILREQ(@FIELD(DOCID+@LIT
(oem2002004065/PP))+@FIELD(COLLID+fsa))

Preparation for point rationing. Miss Elizabeth Law, who teaches an adult homemaking class at Mckinley High School, Washington, D.C., explains the use of war ration book two to a group of homemakers at the school. The relationship of balanced diets to point-rationed foods is taught to adult classes open to all D.C. homemakers.

Palmer, Alfred T. “Preparation for Point Rationing.” Library of Congress Prints & Photographs Division.

Farm Security Administration - Office of War Information Photograph Collection.  Feb. 1943. [Reproduction number: LC-USE6-D-008748 DLC].

http://lcweb2.loc.gov/cgi-bin/query/i
?pp/fsaall:@FILREQ(@FIELD(DOCID+@LIT
(oem2002007213/PP))+@FIELD(COLLID+fsa))

A poster based on an equitable rationing plan for war-time emergency. Printed in three colors -- red, black and blue -- it was distributed to retail stores, selling with sugar and to local rationing boards.

“Ration for Victory.”  Office of War Information. Library of Congress Prints & Photographs Division.

Farm Security Administration - Office of War Information Photograph Collection.

May 1942. [Reproduction number: LC-USE6-D-004105 DLC].

http://lcweb2.loc.gov/cgi-bin/query/
i?pp/fsaall:@FILREQ(@FIELD(DOCID+@LIT
(oem2002002779/PP))+@FIELD(COLLID+fsa))

Meat rationing preview. Reporters make their own news. Washington correspondents get preview of meat rationing in operation with Office of Price Administration officials behind counter. In left foreground is Mrs. Philip Crowlie, OPA's "typical housewife," explaining the system to a woman reporter, while Harold Rowe, food rationing chief, figures point values on the scale.

Palmer, Alfred T. “Meat Rationing Preview.” Library of Congress Prints & Photographs Division.

Farm Security Administration - Office of War Information Photograph Collection.

Mar. 1943. [Reproduction number: LC-USE6-D-009397 DLC].

http://lcweb2.loc.gov/cgi-bin/query/
i?pp/fsaall:@FILREQ(@FIELD(DOCID+@LIT
(oem2002007841/PP))+@FIELD(COLLID+fsa))

Press conference on meat rationing. J.H. Westing (left), assistant director of Office of Price Administration's (OPA) Food Rationing Division, and Leon Bosch, head of Point Control Development show reporters, at press conference held March 20, papier-mache meat cuts to illustrate point values.

Palmer, Alfred T.  “Press Conference on Meat Rationing.” Library of Congress Prints & Photographs Division.

Farm Security Administration - Office of War Information Photograph Collection.  20 Mar. 1943. [Reproduction number: LC-USE6-D-009399 DLC].

http://lcweb2.loc.gov/cgi-bin/query/i?pp/fsaall:@FILREQ
(@FIELD(DOCID+@LIT(oem2002007843/PP))
+@FIELD(COLLID+fsa))

 

 

Sources other than Library of Congress

 

 

Posters encouraging Americans to do their part to support the war effort.

Repository: Iowa Gold Star Military Museum in Johnston, Iowa

 

 

Matchbox used as a form of communicating to US citizens about war efforts at home.

Repository: Iowa Gold Star Military Museum in Johnston, Iowa

 

 

 

 

 

Radio that Americans might have listened to during WWII to get news of the war including home front conservation

Repository: Iowa Gold Star Military Museum (Johnston, Iowa)

 

Feed sack promoting support for the war.

Repository: Iowa Gold Star Military Museum (Johnston, Iowa)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bibliography

 

Birkby, Evelyn. Neighboring on the Air.  Iowa City, Iowa: University of Iowa Press, 1991.

 

“Every One Can Do Something.” Kitchen-Klatter Magazine. Nov. 1942: 11.

 

Huff, Blanche. “Sugar.” Kitchen-Klatter Magazine. Jul. 1942:8.

 

Medsker, Lois. “Cold Hard Soap.” Kitchen-Klatter Magazine.  Nov. 1942: 10.

 

“Nutritious Meals Using Less Meat.” Kitchen-Klatter Magazine. May 1944: 7.

 

Palmer, Mrs. H. D. “Meatless Main Dish.” Kitchen-Klatter Magazine. Jun. 1943: 7.

 

“The Pledge of the American Homemaker.” Kitchen-Klatter Magazine. Mar. 1944: 6.

 

“Save Soap.” Kitchen-Klatter Magazine.  Mar. 1944: 2.

 

Vermillion, Sylvia B. “Victory Gardens.” Kitchen-Klatter Magazine. Jun. 1942: 14.

 

“War Reaches your Kitchen.” Kitchen-Klatter Magazine. Mar. 1942: 11.

 

“What Can You Do?”  Kitchen-Klatter Magazine.  Mar. 1942: 2.

 

Wyckoff, Mrs. Erma.  “Gardens for Victory.” Kitchen-Klatter Magazine.  Apr. 1943: 10

 

The originals of the above Kitchen-Klatter Magazine articles may be found in the Iowa Women’s Archives at the University of Iowa Libraries, Iowa City, Iowa.

 

 

Rubric

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Rubric for Speaking and Acting Projects

 

Presentation Traits

4

3

2

1

 

Ideas and

Development

OR

Script

______

 

•Main idea is well-developed.

•Content is clear and focused throughout.

 

•There are many good details.

OR

•The script is interesting and easy to follow.

•It’s easy to tell what the main idea is.

•Most of the time, content is clear and focused.

•There are some good details.

OR

•Most of the time, the script is interesting and easy to follow.

•The main idea is here, but it needs work.

• At times, the content is clear and focused.

 

•There are a few details.

 

OR

•Some of the time, the script is interesting and easy to follow.

•Main idea is not clear.

 

•Content is confusing.

 

 

•There are not enough details.

OR

•The script is not interesting and is often difficult to follow.

 

 

Organization

 

_______

•The presentation has an effective introduction.

 

•Smooth transitions make the presentation easy to follow.

•The order makes sense.

 

 

•There is an effective ending/conclusion.

•There is an introduction, but it could be better.

•Transitions are repetitive and

at times don’t work.

•Sometimes the order makes sense most of the time.

•There is an ending, but it needs work.

•There is a weak introduction.

 

•Transitions are weak.

 

 

•There is some order, but the writing is confusing.

 

•There is a weak ending.

•There is no identifiable introduction.

 

•Transitions are missing.

 

 

•The order of the details is random.

 

•There is no ending.  The presentation just stops.

 

 

Vocal

Interpretation

_____

•The speaker effectively uses all of the following: expression, vocal variety, effective pacing, and volume.

•The speaker effectively uses most of the following: expression, vocal variety, effective pacing, and volume.

•The speaker effectively uses some of the following: expression, vocal variety, effective pacing, and volume

•The speaker effectively uses few of the following:  expression, vocal variety, effective pacing, and volume



 

Physical

Interpretation

 

_____

•The speaker effectively uses all of the following when appropriate: eye contact, stance, gestures, blocking.

• The speaker effectively uses most of the following when appropriate: eye contact, stance, gestures, blocking.

• The speaker effectively uses some of the following when appropriate: eye contact, stance, gestures, blocking.

• The speaker effectively uses few of the following when appropriate: eye contact, stance, gestures, blocking.


 

 

Requirements

•The presenter follows all the requirements for this project.

• The presenter follows most of the requirements for this project.

• The presenter follows some of the requirements for this project.

• The presenter follows few of the requirements for this project.




 

 

 

Rubric for Drawing/Designing Projects

 

Traits

4

3

2

1

 

Written Elements

______

 

•Position is clearly stated.

 

•There are many good supporting details.

•The written material is ready to publish.

•Position is clear.

 

•There are some good details.

•Light editing would be needed to publish the written material.

• Position could be clearer or more focused.

•There are a few details.

 

•Moderate editing would be needed to publish the written material.

•Position is unclear.

 

•There are not enough details.

•Considerable editing would be needed to publish the written material.

 

 

Layout

 

_______

•This project has an excellent balance of text and visuals.

•The text and visuals are easy to read/see from a distance.

•The layout is appealing and engages the viewer’s attention.

•This project has an adequate balance of text and visuals.

•Most of the text and visuals are easy to read/see from a distance.

•The layout is neat but does not grab the viewer’s attention.

•There is a weak balance of text and visuals.

 

•Some of the text and visuals are easy to read/see from a distance.

•The layout is neat but does not hold the viewer’s interest.

•There is no balance of text and visuals.

 

•The text and visuals are too small for the project.

 

•The layout seems random and does not attract the viewer’s interest.

 

 

Creativity

 

_____

•The designer uses an imaginative approach or technique.

•The artwork/illustrations is/are excellent.

•The designer shows some creativity with approach or technique.

•The artwork and/or illustrations is/are good.

•The designer uses some good ideas.

 

•The artwork and/or illustrations is/are fair.

•The product lacks imagination.

 

•The artwork/illustrations is/are poor.

 

 

Neatness

 

_____

•The designer effectively uses all of the following when appropriate: color, straight lines, gluing, cutting.

•The designer effectively uses most of the following when appropriate: color, straight lines, gluing, cutting.

•The designer effectively uses some of the following when appropriate: color, straight lines, gluing, cutting.

•The designer does not effectively use any of the following: color, straight lines, gluing, cutting.

 

   Requirements

 

_____

•The designer follows all the requirements for this project.

• The designer follows most of the requirements for this project.

• The designer follows some of the requirements for this project.

• The designer follows few of the requirements for this project.

 

 

Rubric for Writing Projects

 

Writing Traits

4

3

2

1

 

Ideas and

Development

 

______

•Main idea is well-developed.

•Content is clear and focused throughout.

•There are many good details.

•It’s easy to tell what the main idea is.

•Most of the time, content is clear and focused.

•There are some good details.

•The main idea is here, but it needs work.

• At times, the content is clear and focused.

•There are a few details.

 

•There is some unneeded

information.

•Main idea is not clear.

 

 •Content is confusing.

 

•There are not enough details.

 •There is much unneeded information.

 

 

Organization

 

_______

•This writing has an effective lead/introduction.

•Smooth transitions make the writing easy to follow.

•The order makes sense.

 

•There is an effective ending/conclusion.

 

•There is a lead/introduction, but it could be better.

•Transitions are repetitive and

at times don’t work.

•The order makes sense most of the time.

•There is an ending, but it needs work.

•There is a weak lead/introduction.

 

•Transitions are weak.

 

 

•There is some order, but the writing is confusing.

•There is a weak ending.

•There is no identifiable lead/introduction.

 

•Transitions are missing.

 

 

•The order of the details is random.

•There is no ending.  The writing just stops.

 

 

Voice

 

_____

•The voice makes the writing come to life.

 

 

•The writing is lively, expressive, engaging, with lots of energy.

•The writer seems to really care about the topic and the audience, and it shows throughout the writing.

 

•The voice is acceptable for the topic, audience, and purpose, but does not bring the writing to life.

•The writing is pleasant, agreeable, and satisfying.

 

•Much of the time, the writer seems to care about the topic and the audience.

•Sometimes there is a voice, and sometimes there is just information.

 

•The writing is distant, overly formal, or too informal.

•Some of the time, the writer seems to care about the topic and the audience.

•There is no voice, only information.

 

 

•The writing is boring, stiff, and mechanical.

 

•The writer doesn’t seem to care about the topic or the audience.

 

Word

 Choice

 

_____

•The words are fresh, unique, and make the message clear, memorable.

•Effective words create clear pictures.

•Most words are correct.

 

 

 

•The words get the job done.

•Some words are not used correctly.

 

 

•Thin descriptions leave the reader confused.

•Many words are not used correctly.

 

 

•The words are colorless, flat, and fail to communicate.

 

 

 

 

Sentence

 Fluency

 

_____

•The writing is a joy to read aloud. 

 

•The sentences vary in length and structure.  Sentence structure, rhythm, and flow match the purpose.

•The fragments are used effectively.

•This can be read aloud but lacks enough rhythm and flow.

 •Some sentences begin in different ways and are different lengths but are still simple sentences.

 

•In general, if there are fragments, they are used for a purpose.

•At times, the writing has to be re-read to get the meaning.

 •Most of the sentences begin the same way and are the same length.

 

 

•There are still inappropriate fragments and/or run-on sentences that interfere with flow.

•This writing is really hard to read aloud. 

 

•The reader must stop and re-read to get the meaning.

 

 

•The reader cannot tell where sentences begin or end because of run-ons and/or fragments.

 

 

Conventions

 

_____

 

•The errors are so few that the reader can read right over them.

•Excellent attention is given to caps, grammar/usage, punct., spelling and paragraphing.

•The writing is ready to publish.

 

•Some errors are present, but they don’t detract from the meaning.

•Reasonable attention is given to caps, grammar/usage, punct., spelling and paragraphing.

•Light editing would be needed to publish this writing.

 

•There are errors that detract from meaning.

 

•Some attention is given to caps, grammar/usage, punct., spelling and paragraphing.

 

•Moderate editing would be needed to publish this writing.

 

•There are errors that interfere with meaning.

 

•No attention is given to caps, grammar/usage, punct., spelling and paragraphing.

 

•Much editing would be needed to publish this writing.

 

Requirements

/Format

 

_____

 

 

•Final copy follows all the requirements: centered title (24 pt. or less) and byline, 12-pt. for byline and text, easy-to-read font, double-spaced.

•Final copy follows most of the requirements: centered title (24 pt. or less) and byline, 12-pt. for byline and text, easy-to-read font, double-spaced.

•Final copy follows some of the requirements: centered title (24 pt. or less) and byline, 12-pt. for byline and text, easy-to-read font, double-spaced.

•Final copy follows few of the requirements: centered title (24 pt. or less) and byline, 12-pt. for byline and text, easy-to-read font, double-spaced.

 

 

 

 

Handouts

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