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Use of Historical Documents in the Classroom |
Are YOU Doing All You Can?
Rita Apel
Summer 2008
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“Are you doing all you can?”
Uncle Sam (?) pointing his finger through stripes of American flag
General Cable Corporation, 1942.
Library of Congress
Prints and Photographs Division
Reproduction number: LC-USZC4-6033
During
World War I and World War II, it was necessary for the citizens on the home
front to conserve resources to support the war effort. Focusing on World War II, what sacrifices
were made in the
Overview/
Materials/LOC Resources/Standards/ Procedures/Evaluation/Rubric/Handouts/Extension
|
Objectives |
Students will: ·
identify the efforts
and sacrifices that civilians made on the home front during World War II. ·
investigate possible
ways those needs were communicated to the
citizens of the ·
identify
conservation needs in the present ·
design a
communication tool to educate today’s citizens about what they can do to
conserve |
|
Recommended time frame |
10—12 days |
|
Grade level |
8th grade |
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Curriculum fit |
Language arts |
|
·
• Interview
worksheet ·
• Are WE Doing All
We Can? worksheet ·
• Overhead
transparencies and projector ·
• Examples of WWII
posters, magazines, photographs, photographs of artifacts, etc. (Prepare a Power
Point presentation or provide URLs for student use) ·
• Materials for
projects (poster board, markers, computers, video camera and TV/VCR,
costumes) ·
•Rubrics |
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Language Arts: Standard
1: Uses the writing process to write clearly and concisely • Benchmark: Writes in a
variety of formats Standard
2: Uses grammatical and mechanical conventions in written compositions • Benchmark: Uses correct
capitalization and punctuation Standard
3: Uses a variety of print and non-print resources to locate and gather
information • Benchmark: Uses sources
appropriate to the task Standard
5: Demonstrates competence in speaking and listening as tools for learning • Benchmark: Organizes ideas
for oral presentation • Benchmark: Uses verbal and
non-verbal skills to communicate |
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Day One: • Students will be given the Interview Worksheet. Ideally they will interview a grandparent
or someone of that age group or older.
It can be a face-to-face interview or phone interview. If an older adult isn’t available, students
could interview a parent.
(Arrangements could also be made to have students interview people in
nursing homes or retirement villages.) Allow a few days (3-4) for this to
occur since some students may have difficulty making arrangements to complete
the interview. It could be assigned
before completing a previous unit.
Plan B: Since it might be difficult to find people to interview, it
might be necessary to skip to Day Three and look at the examples located by
the teacher or provide URLs for students to explore on their own. Students could complete the interview
worksheet based on that information. The lesson plan will need to be adjusted
if this option is used. Day Two: • Students will compare the results of their interview with another
student in the class. They should take
turns sharing and check off matching ideas; in addition, students should add
new ideas to their list (things they didn’t discover in their interview). • Students will share their results with the entire class to create a
“master list.” Teacher will record list
on an overhead transparency as ideas are generated. Each student will add to his/her list as
ideas are suggested if it isn’t already on their list. Day Three: •With the complete list of sacrifices
in front of them, students will discuss with a partner how the government let
civilians know what they could do to support the war effort. (What types of
media would have been most commonly used between 1941 – 1945?) Discuss possibilities with entire
class, again adding to students’ lists while teacher compiles a list on an
overhead transparency during class discussion. •Look at examples (See Library
of Congress primary sources link.) of the needs and types of communication
from the WWII time period provided in class and compare to both lists. The examples could be prepared in a
PowerPoint presentation, or students could go to provided web sites to search
on their own or with a partner. What were the needs? How were those needs communicated to the
public? Add to the “master list”. Day Four: Are WE
Doing All We Can? •In small groups, brainstorm
areas where rationing (conservation/recycling) is needed today. Students
should make a list of the ideas generated on the worksheet; in large group,
the teacher could record ideas on an overhead transparency with students
adding to their lists. •After that list is compiled,
have students suggest what forms of communication could be used to let people
know what they could do to help.
Students complete their list as suggestions are made. Of those, which
ones could reach the most people? (It
is expected that students will suggest posters, pamphlets, magazine or
newspaper articles, poems, TV or radio ads, or speeches.) •Introduce project. Students will be asked to choose a topic
and develop a communication tool to educate citizens about the need and
inform the citizenry how they could assist in the effort. Day Five – Nine Allow work time in class to
research and complete the project (approximately five days). It is also expected that students will need
to work outside of class to complete project on time. Day Ten+ Students will present projects
to classmates. Time will vary
depending on number of groups. |
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Three rubrics have been provided since students have the
choice of final product. One rubric is
designed for a writing project (pamphlet, magazine or newspaper article);
another is for acting/speaking (TV or radio ad, speech); and a third is for
drawing/designing (poster). |
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This isn’t really an extension activity, but it is
expected that the written projects, at least, will be displayed in prominent
places around the school and community (public library, local stores). Consider venues where the acting/speaking
projects could also be showcased. The class could also choose an area of concern and
actively pursue implementing a change. Either before starting the project or after Day Three,
serve one of the sugarless recipes from the Kitchen-Klatter Magazine. Watch and listen for responses from
students to see if substituting corn syrup or honey in the recipe affects the
taste. |
Primary Resources from the Library of Congress
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Image |
Description |
Citation |
URL |
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Wartime food demonstration. A new and important home front
activity, the wartime food demonstration is rapidly becoming a nation-wide
institution. Wives of war workers in |
“Wartime Food Demonstration.”
Library of Congress, Prints & Photographs Division, FSA-OWI
Collection, [Reproduction number: LC-USE6-D-009434]. |
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]. |
Poster encouraging citizen participation in salvage for the war
effort, showing seaplanes and a man welding. |
“Are You Helping with Salvage?” Library of Congress, Prints
& Photographs Division. By the
People, For the People: Posters from the WPA, 1936-1943 collection
[Reproduction number: LC-USZC2-1179 DLC]. |
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Poster asking Americans to conserve meat during the war. |
“Americans! Share the meat as a wartime necessity.” Print
(poster). |
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Forty-two keys to victory. They're practically luxury items
today, these typewriters which formerly were manufactured at the rate of
about 800,000 per year. With typewriter factories now undergoing conversion
to war production, there's an urgent need for all privately owned,
non-essential typewriters of recent vintage to be turned over to the armed forces. |
“Forty-two Keys to Victory.” Library of Congress, Prints &
Photographs Division, FSA-OWI Collection, [Reproduction number:
LC-USF35-1326] |
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Poster. Do with less--so they'll have enough. Poster released by
the Office of War Information to bars and taverns, high schools, hotels,
libraries, war plants, post offices. |
“Do with Less – So They’ll Have Enough.” Library of Congress
Prints & Photographs Division, Farm Security Administration – Office of
War Information Photograph Collection. Mar. 1943 [Reproduction number: LC-USE6-D-009233]. |
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Fuel oil conservation. Here's blackout insulation--a twofold
combination to save you money! Use sections of board for the top half of the
window and the bottom half. The board for the upper half of the window, which
should be weatherproofed board, can be nailed in place on the outside of the
window frame and half-drawn shades will conceal this piece from the board for
the lower half can be attached at night from the inside. Not only are these
practical blackout shields, but you'll save one gallon of oil for each square
foot of board used. |
“Fuel Oil Conservation.” Library of Congress Prints & Photographs Division, Farm
Security Administration – Office of War Information Photograph Collection.
Sept. 1942 [Reproduction number: LC-USE6-D-006222]. |
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Rubber reclamation. Scrap tires mobilized for Victory. Millions
of discarded casings cover more than 100 acres at one |
Palmer, Alfred T., photographer.
“Rubber Reclamation.” Library of Congress Prints & Photographs
Division, Farm Security Administration – Office of War Information Photograph
Collection. Created/published Dec.1941 or 1942. [Reproduction number:
LC-USE6-D-003769]. |
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Poster for the Philadelphia Salvage Committee encouraging scrap
drives to aid the war effort. |
“Save Scrap for Victory.”
Library of Congress Prints & Photographs Division, Work Projects
Administration Poster Collection, Penna [ |
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Woman standing with hoe and basket of vegetables. |
“ |
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Sugar rationing. Mrs. Henry Wallace, wife of the Vice President,
learns how millions of American householders will register for their sugar
rationing cards from May 4th through May 7th. She's getting the information
from a teacher and pupil at |
“Sugar Rationing.” Photographed by Albert Freeman, Alfred T.
Palmer or George Danor. Library of Congress Prints & Photographs Division. Farm Security Administration - Office of War Information
Photograph Collection. 1942 or 1943.
[Reproduction number: LC-USE6-D-010488 DLC]. |
http://lcweb2.loc.gov/cgi-bin/query/r? |
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Gasoline rationing poster. Poster distributed to gasoline stations
and garages to educate motorists on need for fuel rationing. |
“Gasoline Rationing.” Gasoline rationing poster. Bureau of
Publications and Graphics. Library of Congress Prints & Photographs
Division. Farm Security Administration - Office of War Information
Photograph Collection. Aug. 1942. [Reproduction number: LC-USE6-D-005468
DLC]. |
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Preparation for point rationing. Miss Elizabeth Law, who teaches
an adult homemaking class at |
Palmer, Alfred T. “Preparation for Point Rationing.” Library of
Congress Prints & Photographs Division. Farm Security Administration - Office of War Information
Photograph Collection. Feb. 1943.
[Reproduction number: LC-USE6-D-008748 DLC]. |
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A poster based on an equitable rationing plan for war-time
emergency. Printed in three colors -- red, black and blue -- it was
distributed to retail stores, selling with sugar and to local rationing
boards. |
“Ration for Victory.”
Office of War Information. Library of Congress Prints &
Photographs Division. Farm Security Administration - Office of War Information
Photograph Collection. May 1942. [Reproduction number: LC-USE6-D-004105 DLC]. |
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Meat rationing preview. Reporters make their own news. |
Palmer, Alfred T. “Meat Rationing Preview.” Library of Congress
Prints & Photographs Division. Farm Security Administration - Office of War Information
Photograph Collection. Mar. 1943. [Reproduction number: LC-USE6-D-009397 DLC]. |
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Press conference on meat rationing. J.H. Westing (left),
assistant director of Office of Price Administration's (OPA) Food Rationing
Division, and Leon Bosch, head of Point Control Development show reporters,
at press conference held March 20, papier-mache meat cuts to illustrate point
values. |
Palmer, Alfred T. “Press
Conference on Meat Rationing.” Library of Congress Prints & Photographs
Division. Farm Security Administration - Office of War Information
Photograph Collection. 20 Mar. 1943.
[Reproduction number: LC-USE6-D-009399 DLC]. |
Sources other than Library
of Congress
Posters encouraging Americans to do their part to support the war
effort.
Repository:

Matchbox used as a form of communicating to US citizens about war
efforts at home.
Repository:

Radio that Americans might have listened to during
WWII to get news of the war including home front conservation
Repository:

Feed sack promoting support for the war.
Repository:










Bibliography
Birkby, Evelyn. Neighboring
on the Air.
“Every One Can Do Something.” Kitchen-Klatter Magazine. Nov. 1942: 11.
Huff, Blanche. “Sugar.” Kitchen-Klatter Magazine. Jul. 1942:8.
Medsker, Lois. “Cold Hard Soap.” Kitchen-Klatter Magazine. Nov. 1942: 10.
“Nutritious Meals Using Less Meat.” Kitchen-Klatter Magazine. May 1944: 7.
Palmer, Mrs. H. D. “Meatless Main Dish.” Kitchen-Klatter Magazine. Jun. 1943: 7.
“The Pledge of the American Homemaker.” Kitchen-Klatter Magazine. Mar. 1944: 6.
“Save Soap.” Kitchen-Klatter Magazine. Mar. 1944: 2.
Vermillion, Sylvia B. “
“War Reaches your Kitchen.” Kitchen-Klatter Magazine. Mar. 1942: 11.
“What Can You Do?” Kitchen-Klatter Magazine. Mar. 1942: 2.
The originals of the above
Kitchen-Klatter Magazine articles may be found in the Iowa Women’s Archives
at the
Rubric
Rubric for Speaking and Acting Projects
|
Presentation Traits |
4 |
3 |
2 |
1 |
|
Ideas and Development OR Script ______ |
•Main idea is
well-developed. •Content is
clear and focused throughout. •There are
many good details. OR •The script is
interesting and easy to follow. |
•It’s easy to
tell what the main idea is. •Most of the
time, content is clear and focused. •There are
some good details. OR •Most of the
time, the script is interesting and easy to follow. |
•The main idea
is here, but it needs work. • At times,
the content is clear and focused. •There are a
few details. OR •Some of the time,
the script is interesting and easy to follow. |
•Main idea is
not clear. •Content is
confusing. •There are not
enough details. OR •The script is
not interesting and is often difficult to follow. |
|
Organization _______ |
•The presentation
has an effective introduction. •Smooth
transitions make the presentation easy to follow. •The order
makes sense. •There is an
effective ending/conclusion. |
•There is an
introduction, but it could be better. •Transitions
are repetitive and at times don’t
work. •Sometimes the
order makes sense most of the time. •There is an
ending, but it needs work. |
•There is a
weak introduction. •Transitions
are weak. •There is some
order, but the writing is confusing. •There is a
weak ending. |
•There is no
identifiable introduction. •Transitions
are missing. •The order of
the details is random. •There is no
ending. The presentation just stops. |
|
Vocal Interpretation _____ |
•The speaker effectively
uses all of the following: expression, vocal variety, effective pacing, and
volume. |
•The speaker
effectively uses most of the following: expression, vocal variety, effective
pacing, and volume. |
•The speaker
effectively uses some of the following: expression, vocal variety, effective
pacing, and volume |
•The speaker
effectively uses few of the following:
expression, vocal variety, effective pacing, and volume |
|
Physical Interpretation _____ |
•The speaker effectively
uses all of the following when appropriate: eye contact, stance, gestures,
blocking. |
• The speaker
effectively uses most of the following when appropriate: eye contact, stance,
gestures, blocking. |
• The speaker
effectively uses some of the following when appropriate: eye contact, stance,
gestures, blocking. |
• The speaker
effectively uses few of the following when appropriate: eye contact, stance,
gestures, blocking. |
|
Requirements |
•The presenter
follows all the requirements for this project. |
• The
presenter follows most of the requirements for this project. |
• The
presenter follows some of the requirements for this project. |
• The
presenter follows few of the requirements for this project. |
Rubric for Drawing/Designing Projects
|
Traits |
4 |
3 |
2 |
1 |
|
Written Elements ______ |
•Position is
clearly stated. •There are
many good supporting details. •The written
material is ready to publish. |
•Position is
clear. •There are some
good details. •Light editing
would be needed to publish the written material. |
• Position
could be clearer or more focused. •There are a
few details. •Moderate
editing would be needed to publish the written material. |
•Position is
unclear. •There are not
enough details. •Considerable
editing would be needed to publish the written material. |
|
Layout _______ |
•This project
has an excellent balance of text and visuals. •The text and
visuals are easy to read/see from a distance. •The layout is
appealing and engages the viewer’s attention. |
•This project
has an adequate balance of text and visuals. •Most of the
text and visuals are easy to read/see from a distance. •The layout is
neat but does not grab the viewer’s attention. |
•There is a
weak balance of text and visuals. •Some of the
text and visuals are easy to read/see from a distance. •The layout is
neat but does not hold the viewer’s interest. |
•There is no
balance of text and visuals. •The text and
visuals are too small for the project. •The layout
seems random and does not attract the viewer’s interest. |
|
Creativity _____ |
•The designer
uses an imaginative approach or technique. •The
artwork/illustrations is/are excellent. |
•The designer shows
some creativity with approach or technique. •The artwork
and/or illustrations is/are good. |
•The designer
uses some good ideas. •The artwork
and/or illustrations is/are fair. |
•The product
lacks imagination. •The
artwork/illustrations is/are poor. |
|
Neatness _____ |
•The designer
effectively uses all of the following when appropriate: color, straight
lines, gluing, cutting. |
•The designer
effectively uses most of the following when appropriate: color, straight
lines, gluing, cutting. |
•The designer
effectively uses some of the following when appropriate: color, straight
lines, gluing, cutting. |
•The designer
does not effectively use any of the following: color, straight lines, gluing,
cutting. |
|
Requirements _____ |
•The designer follows
all the requirements for this project. |
• The designer
follows most of the requirements for this project. |
• The designer
follows some of the requirements for this project. |
• The designer
follows few of the requirements for this project. |
Rubric for Writing Projects
|
Writing Traits |
4 |
3 |
2 |
1 |
|
Ideas and Development ______ |
•Main idea is
well-developed. •Content is
clear and focused throughout. •There are
many good details. |
•It’s easy to
tell what the main idea is. •Most of the
time, content is clear and focused. •There are
some good details. |
•The main idea
is here, but it needs work. • At times,
the content is clear and focused. •There are a
few details. •There is some
unneeded information. |
•Main idea is
not clear. •Content is confusing. •There are not
enough details. •There is much unneeded information. |
|
Organization _______ |
•This writing
has an effective lead/introduction. •Smooth
transitions make the writing easy to follow. •The order makes
sense. •There is an
effective ending/conclusion. |
•There is a
lead/introduction, but it could be better. •Transitions
are repetitive and at times don’t
work. •The order
makes sense most of the time. •There is an
ending, but it needs work. |
•There is a
weak lead/introduction. •Transitions
are weak. •There is some
order, but the writing is confusing. •There is a
weak ending. |
•There is no
identifiable lead/introduction. •Transitions
are missing. •The order of
the details is random. •There is no
ending. The writing just stops. |
|
Voice _____ |
•The voice
makes the writing come to life. •The writing
is lively, expressive, engaging, with lots of energy. •The writer seems
to really care about the topic and the audience, and it shows throughout the
writing. |
•The voice is
acceptable for the topic, audience, and purpose, but does not bring the
writing to life. •The writing
is pleasant, agreeable, and satisfying. •Much of the
time, the writer seems to care about the topic and the audience. |
•Sometimes
there is a voice, and sometimes there is just information. •The writing
is distant, overly formal, or too informal. •Some of the
time, the writer seems to care about the topic and the audience. |
•There is no
voice, only information. •The writing
is boring, stiff, and mechanical. •The writer
doesn’t seem to care about the topic or the audience. |
|
Word Choice _____ |
•The words are
fresh, unique, and make the message clear, memorable. •Effective
words create clear pictures. |
•Most words
are correct. •The words get
the job done. |
•Some words
are not used correctly. •Thin
descriptions leave the reader confused. |
•Many words are
not used correctly. •The words are
colorless, flat, and fail to communicate. |
|
Sentence Fluency _____ |
•The writing
is a joy to read aloud. •The sentences
vary in length and structure. Sentence
structure, rhythm, and flow match the purpose. •The fragments
are used effectively. |
•This can be
read aloud but lacks enough rhythm and flow. •Some sentences begin in different ways and
are different lengths but are still simple sentences. •In general, if
there are fragments, they are used for a purpose. |
•At times, the
writing has to be re-read to get the meaning. •Most of the sentences begin the same way
and are the same length. •There are
still inappropriate fragments and/or run-on sentences that interfere with
flow. |
•This writing
is really hard to read aloud. •The reader
must stop and re-read to get the meaning. •The reader
cannot tell where sentences begin or end because of run-ons and/or fragments. |
|
Conventions _____ |
•The errors
are so few that the reader can read right over them. •Excellent
attention is given to caps, grammar/usage, punct., spelling and paragraphing. •The writing
is ready to publish. |
•Some errors
are present, but they don’t detract from the meaning. •Reasonable
attention is given to caps, grammar/usage, punct., spelling and paragraphing. •Light editing
would be needed to publish this writing. |
•There are
errors that detract from meaning. •Some
attention is given to caps, grammar/usage, punct., spelling and paragraphing. •Moderate
editing would be needed to publish this writing. |
•There are errors that
interfere with meaning. •No attention is given to
caps, grammar/usage, punct., spelling and paragraphing. •Much editing would be needed
to publish this writing. |
|
Requirements /Format _____ |
•Final copy
follows all the requirements: centered title (24 pt. or less) and byline,
12-pt. for byline and text, easy-to-read font, double-spaced. |
•Final copy follows
most of the requirements: centered title (24 pt. or less) and byline, 12-pt.
for byline and text, easy-to-read font, double-spaced. |
•Final copy
follows some of the requirements: centered title (24 pt. or less) and byline,
12-pt. for byline and text, easy-to-read font, double-spaced. |
•Final copy follows few of
the requirements: centered title (24 pt. or less) and byline, 12-pt. for
byline and text, easy-to-read font, double-spaced. |
Handouts